Boney James - Trust (1992/2019)
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<center><img src="https://www.dibpic.com/uploads/posts/2019-01/1547214948_cover.jpg"><font color="White"><br><b>艺术家</b>: <span itemprop="author">Boney James</span></font><br><font color="White"></font><div align="center"><div itemscope="" itemtype="https://schema.org/CreativeWork"><font color="White">
<b>发行时间</b>: <span itemprop="releasedEvent">2019</span><br>
<b>厂牌</b>: <span itemprop="producer">Craft Recordings</span><br>
<b>音乐流派</b>: <span itemprop="genre">Jazz, Smooth Jazz, Fusion</span><br>
<b>音频编解码</b>: <span>FLAC (tracks)</span><br>
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<b>Tracklist:</b><br><br>01. It's A Beautiful Thing<br>02. Roadrunner<br>03. Lily<br>04. Kyoto<br>05. Another Place, Another Time<br>06. Creepin'<br>07. Personal Touch<br>08. Trust<br>09. Metropolis</font><br><audio controls="" autoplay=""><source src="http://mp3.flash127.com/public/mp3.html?id=3847Xbh3cBGGeq939x710wj0BvssYgBg/kZ7rolC1CE5Vg.mp3" type="audio/mpeg"></audio><br><div class="quote">It’s
been a full quarter-century since a young saxophonist and composer
released his debut recording as a leader, Trust. Now, on September 1,
2017, Boney James will release his 16th album, this one titled Honestly.
If you sense a direct line between those titles, you’ve already come a
long way toward understanding what motivates the four-time GRAMMY
nominee and multi-platinum-selling musician.<br><br> “I’m fighting the
good fight to be my own artist and not be pigeonholed,” says the
genre-blurring James. “With a record’s title I always try to find
something that will communicate the feeling I get when I listen to it.
The feeling I get with this music is a sense of sincerity and intimacy.
The word ‘honestly’ really reflects how I aspire to live my life and
create my music. One of the great things about music is how powerful it
is. It can totally transport people. These are interesting times we are
living in and the one thing I can do with the skills that I have is to
make music that evokes a feeling and takes people somewhere… to do what I
can to try and make the world a more pleasant place.”<br><br>Honestly
follows futuresoul, James’ 2015 release which spent eleven weeks at #1
on the Billboard Contemporary Jazz Chart. The New York Times raved,
“Boney James performs with panache...His arc as a soloist is
emotional...he can paint a scene.” Honestly, says James, is quite
different sounding than the previous record. “It’s more exposed,” he
says of the 10-track collection. “Some of the arrangements are not as
dense. A number of the songs have a more buoyant, cheerful, happy
quality to them.” James produced the record and co-wrote all but one
track, his interpretation of the Johnny Mercer-Hoagy Carmichael classic
‘Skylark.’<br><br>James recruited collaborators and musicians whose work
he admires, including chart-topping vocalists/co-writers Avery*Sunshine
(on the title track) and Eric Roberson (on ‘If I Can’t Hold You’).<br><br> Each
track on Honestly reflects a different side of James’ musical
personality. “Songs like ‘Kicks’ or ‘Up All Night’ are much more
boisterous sounding than the last couple of records,” he says. “Then
there’s ‘Skylark,’ a song that I have always loved…a standard which I’ve
never recorded before. The track Honestly (and first Urban Adult
single) featuring Avery*Sunshine is straight up R&B.” Regarding
Avery, James says, “I heard her at a festival, we were both playing and
then I heard her #1 single ‘Call My Name’ on the radio. I was instantly a
fan and just waiting for the right song for us to collaborate.”<br><br> First
instrumental single ‘Tick Tock,’ one of four songs co-written and
co-produced with Jairus Mozee (Anthony Hamilton, Robin Thicke) is one of
several on the album featuring a horn arrangement by Jerry Hey, who
worked on Michael Jackson’s greatest hits, amongst others. “It’s a very
funky track with an insistent groove and the arrangement goes places you
don’t expect it to go,” says James. Although each track on the album
has its own definitive feel, James points directly toward some of his
greatest influences as having provided inspiration. “I think about
Stevie Wonder, Steely Dan and Earth, Wind & Fire,” he says, also
mentioning such iconic R&B and contemporary jazz artists as the
Brothers Johnson, Tower of Power and Grover Washington Jr. as having
impacted him. “These are the bands that I grew up loving and the thing
that they had was this method of arranging so the music is a character
itself. That’s something I aspire to create on my records. The bass line
can be a hook, or a horn line or keyboard riff that you sing in your
head—that’s what I’m trying to create on the record. A tapestry of
sounds that puts you in another world.”<br><br> James plays all of the
tenor and soprano saxophone parts on Honestly and contributes keyboards
and drum programming to several of the tracks. But his career might have
turned out a lot differently had a music store in his native New
Rochelle, New York, had his first choice in stock the day he walked
inside. “I wanted to play trumpet but when we went to the store to rent a
trumpet all they had were clarinets, so I went home with a clarinet.
Two years later I guess I was the best clarinet player in a band full of
clarinets and the teacher wanted a sax player so he leaned on me to
pick up the saxophone. I didn’t want to do it because it was a much
heavier case I’d have to carry. But as soon as I switched I loved it and
it pretty quickly became my favorite thing to do. It still is!”<br><br> By
the time he entered his teens, James was gigging with bands, and he
turned pro at 19. He apprenticed as a sideman for artists like Morris
Day and the Isley Brothers, picking up pointers on how to present
himself onstage and off, and didn’t cut his first album under his own
name until he was 30. The independently released Trust led immediately
to a major label deal and a string of increasingly successful recordings
and live dates.<br><br>His skill as a performer as well as a recording
artist garnered this notice from the Boston Globe, “James swaggered
across the stage like a blacktop hero draining treys on an overmatched
opponent. He even weaved his way through the audience, never missing a
beat and all but daring the crowd not to have a good time."<br><br>Over
the years, James has racked up sales of more than three million records,
four RIAA gold albums, four GRAMMY nominations, a Soul Train Award,
nominations for two NAACP Image Awards and 10 CDs atop Billboard’s
Contemporary Jazz Albums chart. In 2009, Billboard named him one of the
Top 3 Contemporary Jazz Artists Of The Decade along with Kenny G and
Norah Jones.<br><br> With Honestly, as with futuresoul and the
GRAMMY-nominated The Beat before it, Boney James is making some of the
most stellar, wholly realized music of his career. “I’ve just grown up,
personally and musically,” he says. “I’m a lot calmer now when I
approach making music and have more confidence. I’m a “give-110 percent”
kind of person and I’m enjoying the process more now. I think that
comes out in the music. Maybe that’s why this new record is so much fun
to listen to. There are parts on the record that still make me smile.”<br><br>James lives in Los Angeles with his wife of 32 years, Actress/Director Lily Mariye and has written scores for her film projects.</div></span><font color="White"><span itemprop="description"></span></font><br><font color="White"><span itemprop="description"></span></font></div></center><center><font color="White"> </font></center>
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<center><font color="#ffffff"><font size="5" color="#ff0000"><font face="微软雅黑"><strong><font face="楷体">淡月疏影收藏</font> </strong></font></font></font></center></font></font></font></font></center></font>
<center></center></font></font></font></font></td></tr></tbody></table></td></tr></tbody></table> 不错 老肯尼基的萨克斯有点记忆的感觉,感谢淡月分享 谢谢分享爵士新专。 谢谢,非常喜欢,下载中。。。。 谢谢分享新专。。。 收藏聆听,感谢分享! 这个是新专辑?记得很早就见过这封面。 这张是再版吗 感谢分享老肯萨克斯:lol
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